taken with a thin falsetto
How to choose a repertoire for a teenager, taking into account the peculiarities of teenage perception
Modern teachers in music schools often face the fact that a teenager does not want to sing this or that song or romance, and all attempts to convince him lead to complications and conflicts. Often a teenager refuses not only to perform a romance that he does not like, but may even stop going to music school. To properly understand this issue, you need to consider all the age characteristics of adolescents. You will learn about them in this article.
AGE FEATURES OF THE TEENAGER This age is characterized not only by increased vulnerability, but also by the desire to impress. He wants to seem bright, effective and beautiful, to be appreciated and approved, and the less love he receives in his environment, the sharper this feeling. He also becomes sensitive to ridicule, so it is important for him that the romance that he will sing from the stage favorably emphasizes his strengths as a vocalist and as a person. Therefore, in order to choose the right repertoire for him, it is necessary to take into account such age-specific features of the adolescent as: The desire for performance. Continue reading
Each voice is unique and unique in sound. Thanks to these features, we can easily recognize the voices of our friends even by telephone. Singing voices differ not only in timbre, but also in pitch, range, individual coloring. And in this article you will learn how to correctly determine the type of voice of a child or adult. As well as how to determine your convenient range. Singing voices always fit one of the vocal characteristics that came up at the Italian opera school. They were compared in sound to musical instruments of a string quartet. As a rule, the sound of a violin was compared with the female voice of a soprano, viola – with mezzo.
The lowest voices – contralto – were compared to the sound of a horn (like the tenor tone), and the low bass voices were compared to the double bass. So there was a classification of voices close to choral. Unlike the church choir, in which only men sang, the Italian opera school expanded the possibilities of singing and allowed the creation of a classification of female and male voices. Indeed, in the church choir, women’s parties were performed by treblers (sopranos) or tenor-altino. This characteristic of voices has been preserved even today not only in opera, but also in pop singing, however, in the pop the sound supply is different. Continue reading
High notes can be difficult for beginner vocalists, and more so for those who did not sing in the choir during their childhood. You can learn to sing them correctly at any age. Training will go faster if the vocalist already had experience in singing during school years. For many reasons, many performers are afraid to take high notes, but in fact, with the help of special exercises you can learn to correctly and beautifully take them.
A few simple exercises will help you learn to sing high in the upper part of your range without additional sound amplifiers and reverb. But first you need to figure out what prevents you from singing easily and beautifully and staying on top in a complex head tessitura.
WHY HIGH NOTES ARE DIFFICULT TO SING EVEN SOPRANO There can be many reasons for singing difficulties in high parts of the range. The vocalist begins to be frightened of them both due to physical and psychological factors. However, his voice can really sound ugly on the top notes. Continue reading